Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/218
Westphalian Landscape; Approaching Storm; Guffern Alp; St. Gothard Road; Kanderthal in Switzerland; View at Scheveningen; Rhenish City in Evening Light (1879), Dresden Gallery; Storm Landscape, Breslau Museum.—Müller, 230.
HAGHE, LOUIS, born at Tournay,
March 17, 1806, died
at Stockwell, England,
March 9, 1885.
History and genre
painter, pupil of
Chevalier de la Barrière,
a French emigrant,
whom he
afterwards assisted
in the publication
of views in Belgium;
went to London in 1823, where he participated
in the publication of several lithographic
works, and afterwards took up
painting in water-colours; in 1835 became
member of the Institute of Painters in Water
Colours, and afterwards its president. Member
of Antwerp Academy; Order of Leopold;
Medals: 1834, 1855. Painted with
his left hand. Works: War Council at
Courtray (1839), National Gallery, London;
Scene at Convent Gate of S. Geronimo
(1840); Oath of Vargas (1841); Cromwell
with the Letter of Charles I., The Town
Hall of Courtray (1843); Last Moments of
Zurbaran (1844); Ferdinand with Rubens
(1845); Rubens painting the Chapeau de
Paille, Interior of Brewers' Corporation
Room at Antwerp, Staircase in the House
of that Corporation (1846); Meeting Room
(1847); Capuchin Monks at Matins, Chaffoir
in Town Hall of Mons, Michelangelo
attending his Sick Servant Urbino (1848);
Vespers in Church of St. Anne, Bruges
(1849); Miseries of War, Guard-Room
(1850); Interior of St. Gomer, Sierre (1851);
Audience Chamber of Magistrates of Bruges—Visit
of Marguerite of Parma (1852);
Happy Trio, Salle d'Armes in Castle of Salzburg
(1853); Corps de Garde (1854); Holy
Water Vase in St. Peter's, Rome, Post-Office
at Albano, Convivial Meeting of Brewers'
Corporation at Antwerp, Fair Reckoner,
Comfortable Quarters, The Report, Work
first and Play afterwards (1855); Choir of
Santa Maria Novella, Florence (1856, first
picture in oil); Antechamber in Tribunal of
Inquisition, Venice, View of Ducal Palace,
ib., Town Hall of Oudenarde (1856); Sunny
Hours (1857, in oil); Incident in Life of
Cornelis Vroom, Public Letter-Writer in
Rome, Remains of Portico of Octavia, Rome
(1857); The Spy, Peter Boel arranging his
Model, Drinking Song, Transept of St.
Mark's, Venice (1858).—Art Journal (1854),
256; (1859), 13; Athen. (1885), i. 352;
Kramm, ii. 630; Müller, 231.
HAGN, LUDWIG (KARL HEINRICH)
VON, born in Munich,
Nov. 23, 1820. Genre
painter, pupil in Berlin
of Krause, then of
Munich and Antwerp
Academies, at the latter
under Wappers,
and in 1847-50 at
Brussels of Eugène de
Block; lived then successively
in Brussels,
Berlin (1850-53), where by the pictures of
Menzel and those in the palaces at Potsdam
and Sans Souci he was led to the cultivation
of rococo subjects, and Paris (1853-55), and
settled in Munich, whence he visited Rome
and Florence (1863-65). Member of Munich
Academy since 1867. Works: Unwelcome
Wooing (1851), Schwerin Gallery; The
Sweet Tooth, Musical Entertainment (1861);
Alchemist (1862); Promissory Note; Walk
in Versailles; Conversation in the Park
(1860), New Pinakothek, Munich; Italian
Garden Scenes (2), Schack Gallery, ib.; Sunday
Walk (1863); Fish Market in Rome
(1865); Goldoni (1866); Bowling Alley
(1867); Roman Library (1868); Munich
Beer Cellar (1869); Duel in 17th Century;
Hall in Versailles; Faring Minstrels; Garden
Scene in 18th Century; Walk in the Woods;
Contrasts; Audience with Pope Leo XIII.