Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/203

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  • cessors of Cimabue and Giotto. He was the

first to adorn the Sala del Gran Consiglio, Venice, in 1365, with a Paradise, afterward replaced by Tintoretto. A Crucifixion by him is in the Pinacoteca, Bassano, and frescos in the choir of the Eremitani, Padua.—C. & C., Italy, ii. 252; Vasari, ed. Le Mon., vi. 86; xi. 333, N. 3; Ridolfi, Le Maraviglie dell' Arte (Venice, 1648), 27; Burckhardt, 521.


GUASTA, BENVENUTO DI GIOVANNI DI MEO DEL, died in 1517 (?). Sienese school. Described in a record of 1455 as employed in the baptistery of S. Giovanni, Siena, but his first extant picture (1466) is the Annunciation in S. Girolamo, Volterra. Its counterpart is in the sacristy of SS. Piero e Paulo at Buonconvento. Other of his pictures are in the Siena Academy, and in churches there. His hard and precise style somewhat resembles that of Il Vecchietta.—C. &. C., Italy, iii. 70; Vasari, ed. Le Mon., iv. 163; xi. 173; xii. 85; Lübke, Gesch. ital. Mal., i. 385.


GUASTO, MARQUIS DEL. See Avalos.


GUAY, GABRIEL, born in Paris; contemporary. Genre painter, pupil of Gérôme and of Lequien. Medal, 3d class, 1878. Works: Ulysses suspended over Charybdis (1873); Slumber, After the Ball (1874); In Carnival, Incorruptible (1876); In the absence of the Master, Latona and the Peasants (1877); The Levite of Ephraim (1878); The Tallianum during the Persecution (1880); Mater Amabilis, Souvenir de Veules (1881); La Source, Cosette (1882); Father Rabu, Mother Race (1884); The Wounded Dove (1885); Birth of Spring, Mrs. D. D. Colton, San Francisco.



GUDE, HANS FREDRIK, born in Christiania, March 13, 1825. Landscape and marine painter, pupil of Andreas Achenbach, and of Düsseldorf Academy under Schirmer; visited Norway in 1843-46, lived in Christiania in 1848-50, became professor at the Düsseldorf Academy in 1854; went to England in 1862, and to Carlsruhe in 1864 as professor at the art-school. Since 1880, professor at Berlin Academy. Member of Amsterdam, Rotterdam, Stockholm, Berlin, and Vienna Academies. Great gold medal in Berlin (1852 and 1860) and Weimar (1861). Medal, Paris, 2d class, 1855, 1861, 1867. Numerous Orders. Works: High Plain with Reindeer (1847); Bridal Procession on Hardanger Fjord (1848); Birch Wood (1848), Christiania Gallery; Four landscapes from Sogne (1849-50), Oscarshall, near Christiania; Night-Fishing in Norway (1851); Mountainous Landscape with Pine Wood (1852); Funeral in Sogne Fjord, Lledr Valley in Wales, Stockholm Museum; Norwegian Mountains; Mountain Shepherdesses with Herd; Fishermen in Evening Landscape; Summer Evening on Norwegian Lake (1851, figures by Tidemand), Norwegian Coast (1870), National Gallery, Berlin; Christiania Fjord (1857), Kunsthalle, Hamburg; Norwegian Harbour of Refuge (1873), Bremen Gallery; do., Carlsruhe Gallery; Calm-Sea, Cologne Museum; do., Stuttgart Gallery; Chiem Lake, Vienna Academy; Harbour of Christiania; Pilot-House on Norwegian Coast; View on Nether Rhine; Scotch Landscape (1878).—Illustr. Zeitg. (1882), i. 387; Kunst-Chronik, v. 124; W. Müller, Düsseldf. K., 311, 343; Wiegmann, 388; Zeitschr., vi. 176; xvi. 151; xxi. 40.



GUDIN, (JEAN ANTOINE) THÉODORE, born in Paris, Aug. 15, 1802, died at Boulogne-sur-Seine, April 11, 1880. Marine painter, pupil of Girodet-Trioson, but soon abandoned his style. His early and best pictures, landscapes, and marines, are fine in colour and bold in execution, but the later are tame and conventional in style.

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