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THE CASE OF KENELM DIGBY
65

as much as any one, but that is an artificial price. The firsts aren't rare enough to warrant any such price as that. Still, I'm glad to know about it as it's a sign of growing recognition. I remember the time when it was all I could do to get any editors to look at his things. I'll have to tell him about that, it will please him mightily."

We sat for a while chatting about this and that and then Dulcet got up and put on his hat.

"Look here, old man," he said. "You squat here and be comfortable while I run round to Digby. It won't take me more than a few minutes—he lives on Eighty-second Street. I'll be back right speedily, and we can go on with our talk."

I heard him go down in the elevator, and then I relit my pipe, and picked out a book from one of his shelves. I remember that it was Brillat-Savarin's amusing "Gastronomy as a Fine Art". I smiled at finding this in Dulcet's library, for I knew that the agent rather prided himself on being something of a gourmet, and I was reading the essays of the jovial French epicure with a good deal of relish when the telephone rang. I went to it with that slight feeling of embarrassment one always has in answering someone else's phone.

To my surprise, it was Dulcet's voice.

"Hullo?" he said. "That you, Ben? Listen,