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to me, plunging in at the middle of the act, but I could not miss the passionate quality of Edwards's playing. Even Brooks, a polished but very cold actor, caught the warmth. Their speeches had the rich vibrance of anger. I was really startled at the power and velocity of the performance, considering that they had only rehearsed a week. As I watched, someone leaned over my shoulder from behind and whispered: "What do you think of Dunbar?"

My eyes had grown accustomed to the gloom. I turned and saw a little man with a thin face and lifted eyebrows which gave him a quaint expression of perpetual surprise. I was so absorbed in the scene that at first I hardly understood.

"Dunbar—? Oh, Edwards?" I whispered. "I think he's corking—fine."

At that moment Edwards was in the middle of a speech. Miss Cunningham had just said something. Edwards, going toward her, had put his hand on her shoulder and was replying in a tone of peculiar tenderness. Fagan's loud voice broke in.

"Dunbar! Mr. Edwards! I can't let you do it like that. You make me hold up this scene every time. Now get it right. This is a bit of comedy, not sob stuff. Try to be a bit facetious,