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TALES FROM A ROLLTOP DESK

light criss-crossed about the place as the rehearsal went on, much to the annoyance of the actors. Little electric stars winked in the painted sky portion of the blue back-drop, and men in overalls walked about gazing at their tasks.

I sat down quietly in the gloom, about halfway down the middle aisle. Two or three other people, whose identity I could not conjecture, sat singly down toward the front. In the orchestra row, in shirtsleeves, with his feet on the brass rail and a cigar in his mouth, sat a person who, I saw, must be the renowned Fagan. Downstage were Brooks, Edwards, and a charming creature in summery costume who was obviously the original of the multitudinous photographs of Lillian Llewellyn. The rest of the company were sitting about at the back, off the scene. Edwards, who was very pale in the violent downpour of a huge bulb hanging from a wire just overhead, was speaking as I took my seat.

"Wait a minute, folks—wait a minute!" cried Fagan, sharply. "Now! You've got your situation planted, let's nail it to the cross. Mr. Edwards!"

The actors turned, wearily, and Miss Llewellyn sat down on a chair. Brooks stood waiting with a kind of dogged endurance. At the back of the