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TALES FROM A ROLLTOP DESK

selves over our meal, I was wondering whether Edwards, with his strange air of honourable sorrow, was a proof of my doctrine.

Of course we talked about the new play. Edwards had persuaded Upton to give Miss Cunningham a place in the cast, and she was radiant about it. Her eyes were like pansies as she spoke of it. I remember one thing she said:

"Isn't it wonderful? Morgan and I are together again. You know how much it means to us, for if the show has a run we can get married this winter."

"This fall," Edwards amended.

"Morgan's part is fine," she went on, after a look at him that made even a hardened reporter feel that he had no right to be there. "It's really the big thing in the play for any one who can understand. It's just made for him."

She was thoughtful a moment, and then added: "It's too much made for him, that's the only trouble. You're living with him, Mr. Roberts. Don't let him take it too hard. He thinks of nothing else."

I made some jocular remark, I forget what. Edwards was silent for a minute. Then he said:

"If you knew how I've longed for a part like that—a part that I could really lose myself in."