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corner and carried in, accompanied by Mrs. Smallweed, Judy, and Bart; and regularly, all day, do they all remain there until nine at night, solaced by gipsy dinners, not abundant in quantity, from the cook's shop; rummaging and searching, digging, delving, and diving among the treasures of the late lamented. What those treasures are, they keep so secret, that the court is maddened. In its delirium it imagines guineas pouring out of teapots, crown-pieces overflowing punch-bowls, old chairs and mattresses stuffed with Bank of England notes. It possesses itself of the sixpenny history (with highly-coloured folding frontispiece) of Mr. Daniel Dancer and his sister, and also of Mr. Elwes, of Suffolk, and transfers all the facts from those authentic narratives to Mr. Krook. Twice when the dustman is called in to carry off a cartload of old paper, ashes, and broken bottles, the whole court assembles and pries into the baskets as they come forth. Many times the two gentlemen who write with the ravenous little pens on the tissue paper are seen prowling in the neighbourhood—shy of each other, their late partnership being dissolved. The Sol skilfully carries a vein of the prevailing interest through the Harmonic nights. Little Swills, in what are professionally known as “patter” allusions to the subject, is received with loud applause; and the same vocalist “gags” in the regular business like a man inspired. Even Miss M. Melvilleson, in the revived Caledonian melody of “We're a' nodding,” points the sentiment that “the dogs love broo” (whatever the nature of that refreshment may be) with such archness, and such a turn of the head towards next door, that she is immediately understood to mean, Mr. Smallweed loves to find money, and is nightly honored with a double encore. For all this, the court discovers nothing; and, as Mrs. Piper and Mrs. Perkins now communicate to the late lodger whose appearance is the signal for a general rally, it is in one continual ferment to discover everything, and more.

Mr. Weevle and Mr. Guppy, with every eye in the court's head upon them, knock at the closed door of the late lamented's house, in a high state of popularity. But, being contrary to the court's expectation admitted, they immediately become unpopular, and are considered to mean no good.

The shutters are more or less closed all over the house, and the groundfloor is sufficiently dark to require candles. Introduced into the back shop by Mr. Smallweed the younger, they, fresh from the sunlight, can at first see nothing save darkness and shadows; but they gradually discern the elder Mr. Smallweed, seated in his chair upon the brink of a well or grave of waste paper; the virtuous Judy groping therein, like a female sexton; and Mrs. Smallweed on the level ground in the vicinity, snowed up in a heap of paper fragments, print and manuscript, which would appear to be the accumulated compliments that have been sent flying at her in the course of the day. The whole party, Small included, are blackened with dust and dirt, and present a fiendish appearance not relieved by the general aspect of the room. There is more litter and lumber in it than of old, and it is dirtier if possible; likewise, it is ghostly with traces of its dead inhabitant, and even with his chalked writing on the wall.