| 222.
|
What Surface is best calculated to receive most Colours.
|
123.
|
| 223.
|
What Surface will shew most perfectly its true Colour.
|
125.
|
| 224.
|
On what Surface the true Colour is least apparent.
|
131.
|
| 225.
|
What Surfaces shew most of their true and genuine Colour.
|
132.
|
| 226.
|
Of the Mixture of Colours.
|
121.
|
| 227.
|
Of the Colours produced by the Mixture of other Colours, called secondary Colours.
|
161.
|
| 228.
|
Of Verdegris.
|
119.
|
| 229.
|
How to increase the Beauty of Verdegris.
|
120.
|
| 230.
|
How to paint a Picture that will last almost for ever.
|
352.
|
| 231.
|
The Mode of painting on Canvass, or Linen Cloth.
|
353.
|
| 232.
|
Of lively and beautiful Colours.
|
100.
|
| 233.
|
Of transparent Colours.
|
113.
|
| 234.
|
In what Part a Colour will appear in its greatest Beauty.
|
114.
|
| 235.
|
How any Colour without Gloss, is more beautiful in the Lights than in the Shades.
|
115.
|
