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A SON AT THE FRONT

noticed that Mr. Brant wore his usual gray clothes, but with a mourning band on the left sleeve. The sight of that little band irritated Campton. . .

There was, as Mr. Brant had predicted, a long interval of waiting; but at length a murmur of jubilation rose far off, and gathering depth and volume came bellowing and spraying up to where they sat. The square, the Champs Elysées and all the leafy distances were flooded with it: it was as though the voice of Paris had sprung up in fountains out of her stones. Then a military march broke shrilly on the tumult; and there they came at last, in a scant swaying line—so few, so new, so raw; so little, in comparison with the immense assemblages familiar to the place, so much in meaning and in promise.

"How badly they march—there hasn't even been time to drill them properly!" Campton thought; and at the thought he felt a choking in his throat, and his sorrow burst up in him in healing springs. . .


It was after that day that he first went back to his work. He had not touched paint or pencil since George's death; now he felt the inspiration and the power returning, and he began to spend his days among the young American officers and soldiers, studying them, talking to them, going about with them, and then hurrying home to jot down his impressions. He had not, as yet, looked at his last study of George, or opened

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