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A SON AT THE FRONT

the heap, and Georges of all ages looked forth at him: round baby-Georges, freckled schoolboys, a thoughtful long-faced youth (the delicate George of St. Moritz); but none seemed quite to serve his purpose and he rummaged on till he came to a page torn from an old sketch-book. It was the pencil study he had made of George as the lad lay asleep at the Crillon, the night before his mobilisation.

Campton threw the sketch down on the table; and as he sat staring at it he relived every phase of the emotion out of which it had been born. How little he had known then—how little he had understood! He could bear to look at the drawing now; could bear even to rethink the shuddering thoughts with which he had once flung it away from him. Was it only because the atmosphere was filled with a growing sense of hope? Because, in spite of everything, the victory of Verdun was there to show the inexhaustible strength of France, because people were more and more sure that America was beginning to waken . . . or just because, after too long and fierce a strain, human nature always instinctively contrives to get its necessary whiff of moral oxygen? Or was it that George's influence had really penetrated him, and that this strange renewed confidence in life and in ideals was his son's message of reassurance?

Certainly the old George was there, close to him, that morning; and somewhere else—in scenes how

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