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developed a disquieting interest in "The Friends of French Art." He had brought them, in the beginning, a certain amount of money (none of which came out of his own pocket), and in consequence had been imprudently put on the Financial Committee, so that he had a voice in the disposal of funds, though till lately he had never made it heard. But now, apparently, "Atrocities" were losing their novelty, and he was disposed to transfer his whole attention to "The Friends of French Art," with results which seemed incomprehensibly disturbing to Boylston, until he let drop the name of Mme. de Dolmetsch. Campton exclaimed at it.

"Well—yes. You must have noticed that she and Mr. Mayhew have been getting pretty chummy. You see, he's done such a lot of talking that people think he's at least an Oil King; and Mme. de Dolmetsch is dazzled. But she's got her musical prodigy to provide for———" and Boylston outlined the situation which his astuteness had detected while it developed unperceived under Campton's dreaming eyes. Mr. Mayhew was attending all their meetings now, finding fault, criticizing, asking to have the accounts investigated, though they had always been audited at regular intervals by expert accountants; and all this zeal originated in the desire to put Mme. de Dolmetsch in Miss Anthony's place, on the plea that her greater social experience, her gift of attracting and interesting, would