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in which fabulous islands seemed to dream, were fixed on the bushy-haired young man at the piano. Close by, upright and tight-waisted, sat the Marquise de Tranlay, her mourning veil thrown back from a helmet-like hat. She had planted herself in a Louis Philippe armchair, as if appealing to its sturdy frame to protect her from the anarchy of Mrs. Talkett's furniture; and beside her was the daughter for whose sake she had doubtless come—a frowning beauty who, in spite of her dowdy dress and ugly boots, somehow declared herself as having already broken away from the maternal tradition.

Mme. de Tranlay's presence in that drawing-room was characteristic enough. It meant—how often one heard it nowadays!—that mothers had to take their daughters wherever there was a chance of their meeting young men, and that such chances were found only in the few "foreign" houses where, discreetly, almost clandestinely, entertaining had been resumed. You had to take them there, Mme. de Tranlay's look seemed to say, because they had to be married (the sooner the better in these wild times, with all the old barriers down), and because the young men were growing so tragically few, and the competition was so fierce, and because in such emergencies a French mother, whose first thought is always for her children, must learn to accept, even to seek, propinquities from which her inmost soul, and all the ancestral souls within her, would normally recoil.