Page:A Son at the Front (1923) Wharton.djvu/143

Boylston seemed much impressed by the honour of waiting on the great man. In spite of his cool twinkling air he was evidently full of reverence for the things and people he esteemed, and Campton's welcome sent the blood up to the edge of his tight curls. It also gave him courage to explain his visit.

He had come to beg Campton to accept the chairmanship of the American Committee of "The Friends of French Art," an international group of painters who proposed to raise funds for the families of mobilised artists. The American group would naturally be the most active, since Americans had, in larger numbers than any other foreigners, sought artistic training in France; and all the members agreed that Campton's name must figure at their head. But Campton was known to be inaccessible, and the committee, aware that Boylston was a friend of George's, had asked him to transmit their request.

"You see, sir, nobody else represents. . . "

Campton thought as seldom as possible of what followed: he hated the part he had played. But, after all, what else could he have done? Everything in him recoiled from what acceptance would bring with it: publicity, committee meetings, speechifying, writing letters, seeing troublesome visitors, hearing harrowing stories, asking people for money-above all, having to give his own; a great deal of his own.

He stood before the young man, abject, irresolute, chinking a bunch of keys in his trouser-pocket, and