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A SON AT THE FRONT

not for that-" she said, in the same words as the physician.

She hobbled away, and presently he heard her bumping up again with the coal.

When his fire was started, and the curtains drawn, and she had left him, the painter sat down and looked about the studio. Bare and untidy as it was, he did not find the sight unpleasant: he was used to it, and being used to things seemed to him the first requisite of comfort. But to-night his thoughts were elsewhere: he saw neither the tattered tapestries with their huge heroes and kings, nor the blotched walls hung with pictures, nor the canvases stacked against the chairlegs, nor the long littered table at which he wrote and ate and mixed his colours. At one moment he was with Fortin-Lescluze, speeding through the night toward fresh scenes of death; at another, in the loge downstairs, where Mme. Lebel, her day's work done, would no doubt sit down as usual by her smoky lamp and go on with her sewing. "Thank God for the work———" they had both said.

And here Campton sat with idle hands, and did nothing——

It was not exactly his fault. What was there for a portrait-painter to do? He was not a portrait-painter only, and on his brief trip to Chalons some of the scenes by the way—gaunt unshorn faces of territorials at railway bridges, soldiers grouped about a provision-

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