Page:A Son at the Front (1923) Wharton.djvu/115

No one could tell how long civilian travel would be interrupted. Mme. Lebel, moved by her lodger's plight, promised to "find some one"; and Campton mounted to the studio.

He had left it only two days before, on the day when he had vainly waited for Fortin and his dancer; and an abyss already divided him from that vanished time. Then his little world still hung like a straw above an eddy; now it was spinning about in the central vortex.

The pictures stood about untidily, and he looked curiously at all those faces which belonged to the other life. Each bore the mark of its own immediate passions and interests; not one betrayed the least consciousness of coming disaster except the face of poor Madame de Dolmetsch, whose love had enlightened her. Campton began to think of the future from the painter's point of view. What a modeller of faces a great war must be! What would the people who came through it look like, he wondered.

His bell tinkled, and he turned to answer it. Dastrey, he supposed . . . he had caught a glimpse of his friend across the crowd at the Gare de l'Est, seeing off his nephew, but had purposely made no sign. He still wanted to be alone, and above all not to hear war-talk. Mme. Lebel, however, had no doubt revealed his presence in the studio, and he could not risk offending Dastrey.

When he opened the door it was a surprise to see