Fugitive Poetry. 1600–1878/A Beautiful Maiden

A Beautiful Maiden.
Whence that completed form of all completeness?
Whence came that high perfection of all sweetness?
Speak, stubborn earth, and tell me where, oh where!
Hast thou a symbol of her golden hair?
Not oat-sheaves dropping in the western sun;
Not thy soft hand, fair sister! Let me shun
Such follying before thee—yet she had,
Indeed, locks bright enough to make me mad;
And they were simply gordianed up and braided,
Leaving, in naked comeliness, unshaded,
Her pearl round ears, white neck, and orbed brow;
The which were blended in, I know not how,
With such a paradise of lips and eyes,
Blush-tinted cheeks, half-smiles, and faintest sighs,
That when I think thereon, my spirit clings
And plays about its fancy, till the stings
Of human neighbourhood envenom all.
Unto what awful power shall I call?
To what high fane?—Ah! see her hovering feet.
More bluely veined, more soft, more whitely sweet
Than those of sea-born Venus, when she rose
From out her cradle shell. The wind out-blows
Her scarf into a fluttering pavilion;
'Tis blue and over-spangled with a million
Of little eyes, as though thou wert to shed,
Over the darkest, loveliest bluebell bed,
Handfuls of daisies.