Fine Clothes to the Jew
FINE CLOTHES
TO THE JEW
Also by
LANGSTON HUGHES
"Dim racial memories of Africa, the sharp self-conscious revolt against the scheme of things today—the delirious 'escape' from life provided by Harlem, by music, by syncopation and blues, by dancing, by raw drink and wild love—all these elements are woven through his poems. . . . He has the fine qualities of force, passion, directness, and sensitive perception."
The Independent
FINE CLOTHES TO
THE JEW
BY
LANGSTON HUGHES

1927
ALFRED · A · KNOPF
NEW YORK
COPYRIGHT 1927, BY ALFRED A. KNOPF, INC.
MANUFACTURED IN THE UNITED STATES OF AMERICA
TO CARL VAN VECHTEN
Poetry, Vanity Fair, Opportunity, The New Republic, The Measure, The Crisis, The New Masses, The Buccaneer, The Messenger, Books, of the New York Herald Tribune, Fire, The Lincoln News, Palms, and The Modern Quarterly have first published some of these poems. The author thanks them for permission to reprint.
CONTENTS
| xiii | ||
| BLUES | ||
| Hey! | 17 | |
| Hard Luck | 18 | |
| Misery | 19 | |
| Suicide | 20 | |
| Bad Man | 21 | |
| Gypsy Man | 22 | |
| Po' Boy Blues | 23 | |
| Homesick Blues | 24 | |
| RAILROAD AVENUE | ||
| Railroad Avenue | 27 | |
| Brass Spitoons | 28 | |
| Ruby Brown | 30 | |
| The New Cabaret Girl | 31 | |
| Closing Time | 32 | |
| Prize Fighter | 33 | |
| Crap Game | 34 | |
| Ballad of Gin Mary | 35 | |
| Death of Do Dirty | 36 | |
| Elevator Boy | 38 | |
| Porter | 39 | |
| Sport | 40 | |
| Saturday Night | 41 | |
| | ||
| GLORY! HALLELUIAH! | ||
| Judgment Day | 45 | |
| Prayer Meeting | 46 | |
| Feet o' Jesus | 47 | |
| Prayer | 48 | |
| Shout | 49 | |
| Fire | 50 | |
| Moan | 51 | |
| Angels Wings | 52 | |
| Sinner | 53 | |
| BEALE STREET LOVE | ||
| Beale Street Love | 57 | |
| Cora | 58 | |
| Workin' Man | 59 | |
| Bad Luck Card | 60 | |
| Baby | 61 | |
| Evil Woman | 62 | |
| A Ruined Gal | 63 | |
| Minnie Sings Her Blues | 64 | |
| Dressed Up | 65 | |
| Black Gal | 66 | |
| FROM THE GEORGIA ROADS | ||
| Sun Song | 69 | |
| Magnolia Flowers | 70 | |
| Mulatto | 71 | |
| Red Silk Stockings | 73 | |
| Jazz Band in a Parisian Cabaret | 74 | |
| Song For a Dark Girl | 75 | |
| Mammy | 76 | |
| Laughers | 77 | |
| AND BLUES | ||
| Lament Over Love | 81 | |
| Gal's Cry For a Dying Lover | 82 | |
| Young Gal's Blues | 83 | |
| Midwinter Blues | 84 | |
| Listen Here Blues | 85 | |
| Hard Daddy | 86 | |
| Bound No'th Blues | 87 | |
| Ma Man | 88 | |
| Hey! Hey! | 89 | |
A NOTE ON THE TYPE IN
WHICH THIS BOOK IS SET
The type in which this book has been set (on the Linotype) is based on the design of Caslon. It is generally conceded that William Caslon (1692–1766) brought the old-style letter to its highest perfection and while certain modifications have been introduced to meet changing printing conditions, the basic design of the Caslon letters has never been improved. The type selected for this book is a modern adaptation rather than an exact copy of the original Caslon. The principal difference to be noted is a slight shortening of the ascending and descending letters to accommodate a larger face on a given body-size.

SET UP, ELECTROTYPED AND PRINTED
BY THE VAIL-BALLOU PRESS,
INC., BINGHAMTON, N. Y.
PAPER MANUFACTURED IN
SCOTLAND AND FURNISHED
BY W. F. ETHERINGTON &
CO., NEW YORK · BOUND
BY H. WOLFF ESTATE,
NEW YORK.

This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1967, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 57 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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