Chasing the Blues

A cartoon of a man on a winged horse carrying a fountain pen chasing two other men
A cartoon of a man shooting a gun at a bird, lying on the ground

Doubleday, Page & Company
Gardey City, New York
1912

Copyright, 1912, by
Doubleday, Page and Company

Copyright, 1912, by
R. L. Goldberg

All rights reserved, including that of translation into foreign languages, including the Scandinavian

To My Father:
Whose love and indulgence are responsible for any measure of success I may have achieved.

Warning!

Let me stop you just a moment before plunging into the depths of this little book.

I must burden you with a terrible confession.

This is not a work of art!

I admit that this truth prevails rather from circumstance than choice. I have long since realized that my artistic deficiencies remove me far from the sphere of Rembrandt and Michael Angelo.

My ever-present realization of the material virtues of kidney stew and gorgonzola cheese has permanently destroyed whatever of the ethereal that may have been born within me.

With this awful fact staring me in the face I have set for myself the not-unpleasant task of drowning my tears in a sea of foolishness.

If, as you glance through these pages, a smile flits across your face, a base-hit will be registered on my subconscious scoreboard of satisfaction.

A touch of art may nourish the soul, but a good laugh always aids the digestion.

Now that we are pretty well acquainted, I feel that it is fairly safe to allow you to brave the hazards within.

R. L. Goldberg

Variola Dustpan Exposes Secrets of the Daffy Banker

Exclusive Interview by Miss Dustpan Proves That Joseph I. Rorbbing Breathes Real Air and Talks Like a Human Being—Zbysko and Jack Johnson Arouse His Admiration.

“Love—mercy—prunes, altruism, embalming fluid, hysterics, and beauty.”

These are the secrets of life according to Joseph I. Robbing, the handsome financier, who precipitated the depositors of the Southern Bank of New York into the ocean of despair.

This morning I succeeded in getting the first interview Mr. Robbing has given out since he was last interviewed.

“I see you are here,” he said looking at me with his eyes as he ushered me into his handsomely furnished library.

I looked about me in delirious wonderment. As my gaze wandered toward the floor I discovered there a carpet. Yes, a real, regular, the-kind-you-tack-down carpet. The ceiling was tinted in a rich gold, here and there softened with touches of yellow, brown, pink, green, lavender, red, and blue. It was simple, but elegant.

Mr. Robbing asked me to sit down on a chair. This simple request unfolded to me the analytical, far-seeing, technical, poetic, heterogeneous nature of the man. He had asked me to sit on a chair!

I watched him critically as he inhaled the air which naturally filled the room. He was indeed an all-powerful captain of finance. He had two eyes, directly underneath the intersection of which was a nose—a regular nose. A short, stubby moustache—kind worn by Ossip the First, ruler of the Sausage-ites during the last half of the second century Anno Domini—reposed gracefully beneath the nasal appendage.

My close observation of human nature led me to believe that a mouth was hidden there in the complex underbrush. My premonition proved true later on when he spoke.

“Um,” I ventured to say by way of drawing him out into a subconscious interview.

He moved his foot which was covered with a shoe. “Yes,” he reiterated after a slight pause of three hours, “I believe that Jack Johnson could have defeated any of them in his best days.”

The oracle—the man who dug his hand into the ash-can and pulled up a million—had spoken. I heard him with my ears!

“Do you think it pays to peddle the bunk?” I timidly asked him as he carelessly tossed a hundred thousand dollars to the crowd of officers in the street below.

“I think,” he answered, his frank eyes still remaining above his nose, “that Abe Attell is greater in many respects than Shakespeare. I have looked over every page of Shakespeare's record and have not discovered a single K. O.”

The reflection brought to my mind the beautiful lines from the great bard’s masterpiece,

The Oyster Loaf:

The sun is in the heavens
The air is in between,
The earth is underneath us,
And the ocean's wet I ween;
There’s always lots of weather,
There are branches on the trees.
I guess I’m going daffy,
I’m an awful piece of cheese.

I could not resist the temptation of asking Mr. Robbing the vital question “What do you think of our American women?”

He did not hesitate an instant. Naively placing one word after another, he said: “Zybszko, the Polish plasterer, is a fine example of what three square meals a day can do for a man. I am told he lives solely on carpet tacks and herring. His waist is a classic.”

Still noting that Mr. Robbing’s nose was situated between his eyes and his moustache, I went out into the night.

I was a better being for having talked with a great man.

In the words of Zodiac the Russian pipe-fitter; “Umsopagus gazish.”
A comic strip showing two men talking while a woman in elaborate dress walks by them

Yes, travel is a great education for a young man

A cartoon of men drinking punch at a party
A cartoon of a man being heckled for striking out in baseball
A cartoon of two men conversing at a table while Native Americans dance behind them
A cartoon of a man changing int a Santa Claus costume
A cartoon of two men mugging a man in the street
A cartoon of a man talking on the phone while holding a broken watch
A cartoon of a man with an unhappy expression
A cartoon of a man shackled to a ceiling in a prison
A cartoon of a man talking on a phone while a jeweler assesses a diamond ring
A cartoon of a woman talking on a phone
A cartoon of a cartoonist seated at his drawing table, talking on a phone
A cartoon of a crying man
A series of cartoons about a laundry

At any rate, the laundries are not a bit stingy with their pins

A cartoon of a couple going out to dinner

This is just as true as you’re sitting here looking at it

A cartoon of a dejected man being mocked on a street
A cartoon of a sailor

The Hat Boy
A Poem

“Good morning judge,” the young man said—
His face was wan and pale—
“I don’t intend to plead with you
To let me out on bail;
My story’s short and simple, judge—
I’m not a common tough.”
He braced himself against a chair
And pulled his line of stuff.

“The other night I thought I’d like
To see a cabaret—
I grabbed my cane and hat and coat
And went to a café;
The lights were burning brightly as
I strolled into the place,
The world looked very good to me,
A smile was on my face.

“A little boy in uniform
Rushed up and grabbed my lid;
I couldn't for the life of me
Determine why he did:
I made a move to go inside—
The young man blocked my way.
‘You’ll have to check your coat,’ he said,
‘You wooden-headed jay.’
He tore the garment off my back,
And hung it on a hook,
But I controlled my feeling, though
I knew he was a crook.

“Again I started for the door.
He blocked my way again;
‘I must insist,’ the villain said,
‘That you give me your cane.’
He snatched the stick away from me
And threw it on the floor;
I could have killed him then and there,
I felt so awful sore.

“I started for a table then,
But still he stuck like glue;
‘You’ll have to check your undershirt
And your suspenders, too;’
He pounced upon my neck and took
My things away from me,
The sight that I presented, Judge,
Was terrible to see.

“But still I hankered for a seat
Within that gay café,
Again I made a break to go,
Again he bid me stay;
He said, ‘You must check everything’;
He grabbed me by the throat—
Oh, Judge, I couldn’t stand for that,
’Twas then I lost my goat.

“I looked up and soaked him on the nose,
I kicked him in the jaw;
I threw him up against the wall,
I tossed him on the floor;
I pressed a plate of kidney stew
Against his homely face;
I dislocated both his ears,
They looked like Irish lace.

“And when he lay all huddled up,
A sad and total wreck,
I pulled out my revolver and
I shot him in the neck.”

The judge looked at the pale young man—
His eyes were filled with tears.
“Discharged!” he said. “Your noble work
Will live for years and years!”

A comic strip of a man painting at the top of a flagpole

They all look good when they’re far away!

A comic strip of a man climbing a ladder to save someone in a tenement fire

They all look good when they’re far away!

A comic strip of a two men visiting a boxing match

They all look good when they’re far away!

A comic strip of two men visiting a comically squat boxer

They all look good when they’re far away!

A comic strip of a man painting at the circus

They all look good when they’re far away!

A comic strip of a man planting onions

They all look good when they’re far away!

A comic strip of a man going to the dentist

They all look good when they’re far away!

A comic strip of two men at a fancy dinner

They always come back for more

A comic strip of an obese police officer distracted from several crimes by an ice cream float advertisement
A comic strip of a police officer overwhelmed by citizen complaints

It all depends on the point of view

A comic strip of a man operating an elevator for a wealthy woman

An elevator boy has more to remember than the star of a Shakespearean tragedy

Ads Upon The Sporting Page Just at Present all The Rage

His work was o’er, he grabbed his hat and blew into the street. He jumped upon a trolley car to rest his weary feet. He paid his fare and opened wide. the Daily Evening Rage, to feast his eyes on all the news upon the sporting page. He doted on athletics, and he went to every fight; he pondered over baseball dope from morning until night.

So he was very anxious just to cast his eagle eye upon the page that tells of every pugilistic guy. And, as we said before, my child, he opened wide the sheet to soothe his nerves with fighting news and have a baseball treat.

And this is what he gazed upon with sad and weary eye. He smote his chest and pulled his hair and heaved a heavy sigh.

A picture of a lemon pie adorned the sporting page. On either side appeared a bunch of boobs within a cage. The picture was supposed to be a thing to make you laugh and of the good old sporting page it occupied one half.

And in the southeast corner there appeared an ad which read, “We offer special prices to the dying and the dead. We’re selling coffins very cheap, so hurry up and die—our shrouds are very stylish and our prices are not high.”

And in the other corner of this page of sporting news appeared in flaming letters, “We can cure you of the blues! Take Doctor Dope’s advice, my friend, and buy his purple pills. They cure the grip and colic and a million other ills.”

Right next to this there was an ad for vests and coats and shirts. “For cheap and nobby things to wear go down to Philip Wurtz.” And underneath the reader saw a list of billiard joints where he could play for twenty cents a game of fifty points.

Our hero’s eyes grew dimmer still. He brushed away a tear, when in his search for sporting news he read, “Drink Rummy’s Beer!”

He read about bananas and he read about the croup; he read, “Go down to Coney if you wish to loop the loop.”

In vain he looked for just a word of real old baseball news; in vain he looked to see what pug would win his fight or lose. He couldn’t even find the date—alack and still alas! He went straight home, rushed to his room, and then turned on the gas!

A comic strip of a blind baseball umpire who has been bribed
A comic strip of a several baseball fans threatening death to an umpire

It all depends on the point of view

A comic strip of a man demanding that his tailor carefully fix his coat and then thrashing it about while watching a baseball game
A comic strip of a man needing plenty of space while seated at home, but happy to be crowded in the stands at a baseball game
A comic strip of a man complaining that a phone call is too loud but then screaming at a baseball game
A comic strip of a man sending back water at a restaurant, but drinking from a filthy glass at a baseball game

It’s different when you’re sitting in the bleachers

A comic strip showing chaos in several situations because everyone is arguing at a baseball game instead of doing their jobs

If baseball interferes with your work, then don’t work

A comic strip of men spanking children and then debating for office

Politics covers a multitude of sins

A series of comics about someone being unhappy

And this all comes under the heading of pleasure

A comic strip of shouting like at a football game while in mundane situations

Why confine the college yell to football alone?

A comic strip of a man traveling

It is putting it mildly to say delegates always have their hands full

A comic strip of a man trying to rent a store

All the world’s a picture show

A series of cartoons about women in domestic life

Does your wife give all the new recipes a tryout, too?

A series of cartoons of foolish behavior

All the boobs are not in the booby watch

A series of comics contrasting how one acts in the summertime and after the summer is over

It all depends whether you are living in the city or in the summer

A comic strip of a stay at a hotel

There’s nothing in a name—at a summer hotel

Guy That’s Homely as Sin Invariably Gathers in the Tin

Lancelot Smith Is Earning About Thirty-Five Bucks A Day And The Handsome Bright Boy Is Selling Garlic And Hay.

Clarence Sylvester Napoleon Jones was handsome and clever and wise; at 8 he knew all of the planets and stars that are located up in the skies; at 10 he could tell you how long it would take to travel from Venus to Mars, and he wouldn’t allow his old father to drink or smoke cigarettes and cigars.

Knew It All
At 20 he got about forty degrees from the College of Kalamazoo; there was nothing in Latin or Swedish or Greek that this little lad never knew. He spent several years in figuring out just why alligators can’t sing, and he knew why a herring is deaf, dumb and blind—in fact, there wasn’t a thing that Clarence Sylvester Napoleon Jones didn’t know from beginning to end; he could tell you the size of a bumble-bee’s nose and why a dill pickle won’t bend.

The Other Fellow
Lancelot Smith was homely as sin, with a face that would scare away flies; his chin was a yard in front of his nose and his cars were too close to his eyes. He didn’t care whether the Fourth of July came seventeen times in a year, and he didn’t care whether Columbus came over on water or whiskey or beer. He didn’t know why voters go to the polls and he couldn’t add seven and five; he didn’t care when he was going away and he didn’t care when he’d arrive.

Gets Away with It
He hung a right hook on the school teacher’s nose, and he busted his grandfather’s slats; he cut up his father’s pajamas and shirts and he smashed every one of his hats. He soaked his old uncle a crack on the bean and he walloped the cook on the jaw; he busted an egg on the fat grocer’s neck and he chased him out of the store. The people all said he would sure land in jail, he was ignorant, wicked and rough; he’d go to his grave in a hurry ’cause he wasn’t made of the right kind of stuff.

Now Clarence Sylvester Napoleon Jones sells onions and garlic and hay; his pay is a dollar and ten cents a week and he works twenty hours a day.

The Finale
And Lancelot Smith makes a thousand a month, as a fighter he’s known far and near; he calls himself Tony, the Walloping Wop, and he has an aluminum ear.

And so, as we play the roulette wheel of life, we shouldn’t have any regrets, when one fellow loses, the other one wins—we cannot cash all of our bets.

A comic strip of Christopher Columbus telling a modern audience the story of his travels to the Americas

History in a modern picture frame

A comic strip of Pilgrims arriving at a modern-day port

History in a modern picture frame

A comic strip of a modern blacksmith working on automobiles

History in a modern picture frame

A comic strip of William Shakespeare trying to pitch Hamlet to a modern publisher

History in a modern picture frame

A comic strip of classical composers performing pop music

History in a modern picture frame

A comic strip of Patrick Henry giving his plea for liberty to a modern audience who is bored

History in a modern picture frame

A comic strip of a man being accosted while walking

You can’t get something for nothing—not even a few kind words

A comic strip of a man shocked by the newspaper every day

Divide everything you read by ten—and then you’re wrong

A comic strip of a man meeting several persons before being imprisoned

At that, your friends must say something when they meet you

Cartoons of a dentist, bill collector, landlord, book agent, undertaker, and waiter

The six most unpopular men on Earth

Lingo Expert Visits Office

We were just struggling around the office in the throes of a delirium of oblivion yesterday afternoon when in walks a bulky gentleman clad in a red sweater, a dinky cap and other articles of wearing apparel that bespeak high-class pugilism.

“Ah!” we thought, “here is a messenger from the gods. He will save our unsullied young reputation with a big news item.” We bade him enter, and he lurched right into the middle of his business without any preliminary stalling. Here is what he shot over:

“Get me, cull, get me. Don’t take me for a Joe Magee trying to horn in with the soft stuff. I took it on the Arthur Duffy from right field to slip you the jerry on a big number. I’m holding the cards, see! I’m no shilaber. Am I delivered? Don’t get huffy; don’t get huffy. I’ll bet the limit. Just keep your feet close to the pavement:

“I’m Tuesday to the pen junk. No, I haven’t been flirting with the bamboo. While I’m not wearing any wings on my benny, still I’m three sheets in the wind and rigged to travel to the last island in the ocean with any Philip who wants to lean against the leather.

“I just yegged a couple of coppers on the way up to limber up my lunch hooks.

“Say, Monk, pipe my alcove. Get hep, get hep! Don’t glim me for a Romco. Make my Webster! Take a Brodie and ease me a rumble. I’m the guy that put the alkali in the desert. Cheese! Cheese! Nix on the Eden Musee stuff. Give me a Dr. Cook and flash the type. I’m hunk on Johnson.

“Pipe while I Weston myself to the nearest duck soup cave. Bloughie!”

When we awoke our pugilistic friend had went.

A comic strip of a man hosting a disastrous dinner

Hospitality is a beautiful thing, if you only treat it kindly

A series of cartoons showing why men cry

“Off the stuff“ or ”parting is such sweet sorrow”

A comic strip of a man arriving at a train depot to pick up his wife

If you want to find out nothing, go to the depot

A series of cartoons about romance

Don’t waste your envy on the bush-league Romeos

The Philanthropist—A Play
By J. Phillip Onion
cast of characters

John T. Soupladle, clubman.
Samuel Cheesecloth.
Joel Rosewood.
Shoemaker.
Florist.
Perfumer.
Piano Tuner.
Gas Man.
Tompkins, Soupladle’s valet.

Dumb-waiter.
Clothes Chute.
Floor.
Ceiling.
Walls.
Carpet.
Telephone Directory.
Trademen.





Scene: Library of Soupladle’s apartment.
Soupladle is discovered lying on the floor reading the telephone directory.

Soupladle (to an empty chair): After all, there’s no companion like a good book. (Knock on door.) Come in. (Enter Cheesecloth, tailor)

Cheesecloth: I have come to collect $76.55 for the fancy vest I made you in the fall of 1892. (S. rings bell. Enter Tompkins.)

Soupladle: Tompkins, throw this gentleman down the dumb-waiter. (Exit Tompkins and Cheesecloth struggling.)

Soupladle (to wall paper): As I was saying, literature is to life what smothered onions are to a steak. (Knock on door.) Come in. (Enter Joel Rosewood, furniture dealer.)

Rosewood: Either pay me my $824.97 or give me back my dining-room set. (S. presses button. Enter Tompkins.)

Soupladle: Tompkins, push this gentleman into the clothes chute. (Exit Tompkins and Rosewood battling.)

Soupladle (to cuspidor): Shakespeare was the Wolgast of his day. (Violent noise outside. Door bursts open. Enter shoemaker, florist, piano tuner, gas man, butcher and twenty other tradesmen.)

Tradesmen (in chorus): We want our money! (S. presses button. Enter Tompkins.)

Soupladle: Tompkins, give these gentlemen the Degree of the Loose Plank. (Tompkins pulls lever on wall, floor opens and tradesmen disappear.)

Soupladle: Tompkins, bring me my hat, coat, gloves and cane. I will be late for my lecture on “The Uplift of the Working Classes” before the Society for the Emancipation of Labor.

Curtain

A series of cartoons about human vision

First in war, first in peace, first in the eyes of her countrymen

A series of cartoons appealing to women’s interests

Girls, don’t overlook the ladies’ page

A series of cartoons showing a boy growing up and his relationships with women to his death

Life is just one—girl after another!

A comic strip of a man constantly picking up things for a woman

Even then, you can’t get sore at her

A series of cartoons about men being attracted to women

Girls, plus girls, times girls, multiplied by girls, equals vacation

The Delirium—A Novel
By Wright Junk

Chapter One

Ammonia sat gazing out upon the moor. She did not hear the shrill cry of a lonely wolf. She was deaf.

Chapter Two

In a two-dollar-a-week hall room of a cheap New York lodging house, on a cold hard bed far removed from the better things of life, lay a thin young man in the throes of a delirium. He had smoked a campaign cigar.

Chapter Three

It was just twenty-seven days, six hours and forty-five seconds since gray-haired old Mrs. Brussells Sprouts, widow of Captain Sprouts, the gallant soldier who lost his life in the Battle of Finnan Haddie during the Civil War, sent her only son and sole support to the butcher’s for three yards of frankfurters. Her eyes were red and her cheeks were sunken from long hours of watching for her boy.

“He must have eaten the sausage and died,” she sobbed.

Chapter Four

Ammonia was the sausage man’s daughter and she wondered why Eric did not come. Her woman’s intuition told her that he was in distress. She wished she could rush to his side.

But she knew not where to rush.

Suddenly a strong hand grabbed her by the ear. She felt herself being lifted by an unseen force into a quick-moving vehicle and whisked away to unknown regions.

When she awoke she was seated in front of a shabby piano, gazing at the title page of a piece of music which read, “Light of My Life, Come Home, Come Home, the Soup is Growing Cold.”

She turned and saw her lover.

Chapter Five

“Eric!” she cried.

“Ammonia!” he exclaimed.

They fell into each other’s arms and then fell into a six-dollar ornament representing a dying gladiator.

Chapter Six

Eric and Ammonia were radiant.

They walked sixty-five miles out into the wilderness to break the news to Eric’s mother. The old woman was still waiting at the window.

“Mother!” yelled Eric and as he dashed into the house and knocked over the hat-rack, “I have brought home my bride.”

But his mother sat cold and motionless. The young folks were stupefied with horror.

“Speak, mother, for God’s sake, speak!” cried the frantic son.

She replied, “Where is the sausage?”

A comic strip about a man who gets surgery to wear a fashionable hat

You can go through fire and water to please your wife—and then she isn’t pleased

A comic strip about two men thinking that they recognize celebrities in public

It must be great to be posted on all the big celebrities

A comic strip a cartoonist being harassed

Aren’t some people just too sociable for anything

A cartoon of a man who eats his lunch late
A cartoon of a man who is a peanut magnate
A cartoon of a woman who works in advertising
A cartoon of a professor at the University of Duluth

Advertising talks—with apologies to the advertising manager

A comic strip about a barber with extreme techniques

You have to go some to beat the barber to a piece of loose change

A comic strip about a man who buys a new suit that immediately gets covered in filth

Why do new clothes always insist on getting mussed?

A series of cartoons with men who have irrelevant or inflated titles

It’s hard to find a man without a title

A series of cartoons with entitled men

Why is the man who gets in for nothing, always the most critical?

A comic strip about a woman who gets excessive Christmas gifts and exchanges them for food

Say, girls, isn’t it exasperating?

The White Hope

His face was drawn and haggard,
The spark had left his eye,
He drained his glass and cleared his throat
And heaved a heavy sigh.
As he began his story
A hush fell on the throng,
The notes that came from his dry throat
Were like a funeral song.

“No. I don’t want your pity,”
He said in plaintive tones,
“Although I am a wretched thing
A bunch of skin and bones.
My story’s short and funny;
You’ll laugh, perhaps, my friends
It matters not the price I’ve paid,
I cannot make amends.

“’Twas out in Dead Man’s Prairie,
Where the air is free and clean;
My wife and I we owned a shack
The finest ever seen.
We branded all our cattle,
And they were good ones, too -
She cooked and washed and watched for me
When my hard day’s work was through.

“We lived just like two children
In our kingdom in the sands;
No joy like ours was ever felt
When the preacher joined our hands.
I weighed two-fifty, solid-
Don’t think I’m bragging, gents
Although the wreck before you now
Is not worth thirty cents.

“I stood six foot in my stockings,
I never touched a drop;
When I had once made up my mind
No man could make me stop.
One day appeared a stranger
He ate our frugal fare;
Although the diamonds on his hands
Would make a mummy stare.

“He said he was an expert
In things of strength and brawn;
He charmed us with his wondrous tales
Till the birds announced the dawn.
He told me I was fated
To be a fighting man;
I had the weight, the height, the reach
And a healthy coat of tan.

“He said I’d make a million
If I entered the boxing game
In a year or two I’d be a champ
With a great and glorious name.
I’d win Jack Johnson’s title,
A real White Hope was I;
I shook his hand, then packed my grip
And kissed my wife good-bye.

“He took me to the city
And billed me far and nigh;
I punched the bag and ran for miles,
Just like a fighting guy.
The papers ran my pictures;
Reporters dogged my tracks;
I saw my wealth piled to the sky
In bulging silk-lined sacks.

“He matched me with a dead one,
They said he was a lime;
The fatal night at last arrived—
What happened was a crime.
Before I got my bearings,
He hit me on the chin;
He smashed my nose and bent my ribs
And pushed my stomach in.

“I woke up two days later,
My body writhed in pain;
I sought my clever manager;
My searching was in vain.
I wrote my wife a letter,
No answer came for me;
I heard a sailor won her heart
And took her out to sea.”

When his sad tale was finished,
He pressed his aching head;
He spied a sandwich on the bar
And he fell over dead.

A cartoon of a man who never antes in poker
A cartoon of a man who bets too much in poker
A cartoon of a man brags about big games he won decades ago
A cartoon of a man who suffers while playing poker
A cartoon of a man who bluffs in poker

A poker gallery

A comic strip of a police officer who investigates a crime, only to find that it was a film set

Oh no, a policeman’s life isn’t as easy as it looks

A series of cartoons about ugly women

They all look good in the papers

A comic strip about a boy who believes that dozens of men are all one Santa Claus

That’s right Herman—never doubt your mother’s word

A comic strip showing the misconception of a cartoonist as a lush, contrasted with his actual boring life
A comic strip showing the misconception of a prima donna at an expensive dinner, contrasted with her actually having a very cheap one
A comic strip showing the misconception of an author of Westerns as a burly man, contrasted with him actually being small and bookish
A comic strip showing the misconception of a dramatist swarmed by women admirers, contrasted with his actual life putting a baby to bed

A little inside information

I’m Just as Good as I Ever Was

The keeper took me by the arm,
And showed me through the place;
A vacant look was deeply stamped
Upon each vacant face.
He led me to the sporting ward;
The nuts were crowded there,
And every boob seemed happy, though
It filled me with despair.

“The one in number seventeen,”
Said the keeper, “used to be
The champion lightweight of the world;
His name is Spike McGee.”
I looked into his homely face
And heard the poor nut say,
“I’m just as good as I ever was,”
And we hastened on our way.

“That wild-eyed boob in number four,”
The good old keeper said,
“Was fast and rugged years ago;
He used to knock ’em dead.”
The poor simp mumbled to himself,
But this is all I heard;
“I’m just as good as I ever was,”
I hung on every word.

And farther down the daffy hall,
The keeper pointed out
A man who wrestled o’er the world,
And never lost a bout.
I gazed upon that shrunken rum,
A tear dropped from my eye;
“I’m just as good as I ever was,”
He said—I saw him die.

And still the keeper led me on,
Right through the boobyhatch;
“That’s Bughouse Bill upon your left,
He never found his match.”
I offered Bill my hand right there;
He didn’t seem to see—
“I’m just as good as I ever was."
He mumbled unto me.

We met a million dippy guys,
All champions in their day;
I couldn’t look upon them all
I turned my face away.
In tennis, boxing, wrestling, golf,
Each man once did excel—
“I’m just as good as I ever was.”
They gave their college yell.

One thought he was a custard pie;
One said, “I’m General Lee”;
One more said, “I’m a scrambled egg”;
One said, “I’m just a flea.”
But though each man was off his nut
He knew enough to say,
“I’m just as good as I ever was;
I’m feeling great to-day.”

I fled in terror from the place,
My bosom throbbed with pain
I envied all those lunatics—
It’s great to be insane.

A comic strip of a man struggling to carve a turkey

Sure, carving is a science just like surgery and plumbing

A series of cartoons about inconveniences in modern technology

Oh, yes, civilization has made life really worth while

A series of cartoons about men giving strong political opinions

The political scarecrows

A comic strip of a man getting bludgeoned with trash

They always come back for more

A comic strip of a woman being indecisive as a voter

After all, a woman is only a woman

This work is in the public domain in the United States because it was published before January 1, 1930.


The longest-living author of this work died in 1970, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 54 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

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