Author:Edward John Poynter

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Edward John Poynter
(1836–1919)

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English painter

Works

Ten Lectures on Art (1880) (external scan)
German, Flemish and Dutch Painting, with Harry John Wilmot Buxton (1881) (external scan)
Classic and Italian Painting, with Percy Rendell Head (1890) (external scan)

Works illustrated by Poynter

"The Castle by the Sea" by Ludwig Uhland, translated by Herbert Clarke, in Once a Week, Series 1, 6 (1862)
"Wife and I" by Robert Buchanan in Once a Week, Series 1, 6 (1862)
"The Broken Vow" by B. S. Montgomery in Once a Week, Series 1, 7 (1862)
"A Dream of Love" by Frances Charlotte Ryder in Once a Week, Series 1, 7 (1862)
"A Fellow-Traveller's Story" by Charles Lever in Once a Week, Series 1, 7 (1862)
"My Friend's Wedding Day" by John Harwood in Once a Week, Series 1, 8 (1863)
"Of a Haunted House in Mexico" by George Lumley in Once a Week, Series 1, 8 (1863)
"Ducie of the Dale" by Arthur Joseph Munby in Once a Week, Series 1, 8 (1863)
"Ballad of the Page and the King's Daughter" by Emanuel Geibel, translated by Ellen Cook, in Once a Week, Series 1, 8 (1863)
"A Sprig of Holly" in Pictures of Society, Grave and Gay (London: Sampson Low, 1866) (external scan)
"Persephone" in Poems by Jean Ingelow (London: Longmans, Green, Reader, & Dyer, 1867) (external scan)

Works about Poynter

The Drawings of Sir E. J. Poynter, Bart., P.R.A. by Malcolm Bell, London: G. Newnes (1905) (external scan)
"Poynter, Edward John," in Dictionary of National Biography, 1927 supplement, London: Oxford University Press (1927)
"Poynter, Sir Edward John," in Encyclopædia Britannica (11th ed., 1911)
"Poynter, Sir Edward John," in Encyclopædia Britannica (12th ed., 1922)
"Poynter, Sir Edward John" in Alumni Cantabrigienses: A Biographical List of All Known Students, Graduates and Holders of Office at the University of Cambridge, from the Earliest Times to 1900, Cambridge: Cambridge University Press (1922-1953), in 10 volumes

Some or all works by this author were published before January 1, 1930, and are in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted. Posthumous works may be copyrighted based on how long they have been published in certain countries and areas.

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