Author:Augustus Clissold
sister projects: Wikipedia article, Wikidata item
Works
- Illustrations of the End of the Church (1841) (transcription project)
- “A Letter to the Rev. James Bonwell” (1843) (transcription project)
- “The New Church; or, a Refutation of the Review contained in the ‘Preston Magazine’ for October and November, 1843, Addressed to the Inhabitants of Preston” (1843) (transcription project)
- “The Connexion Between Theology, Psychology, and Physiology” (1846) (transcription project)
- “A Reply to the Remarks Emanating from St. Mary’s College, Oscott, on Noble’s Appeal in behalf of the Doctrines of Swedenborg” (1849) (transcription project)
- The Spiritual Exposition of the Apocalypse (1851) (transcription volumes: 1, 2, 3, 4)
- The Practical Nature of the Theological Writings of Emanuel Swedenborg (1860) (transcription project)
- Inspiration and Interpretation (1861) (transcription project)
- “Swedenborg and His Modern Critics” (1866) (transcription project)
- The Literal and Spiritual Senses of Scripture (1868) (transcription project)
- The Prophetic Spirit in its Relation to Wisdom and Madness (1870) (transcription project)
- The Present State of Christendom in its Relation to the Second Coming of the Lord (1871) (transcription project)
- The Creeds of Athanasius, Sabellius and Swedenborg Examined and Compared with Each Other (1873) (transcription project)
- “Sancta Cœna” (1874) (transcription project)
- The Divine Order of the Universe as Interpreted by Emanuel Swedenborg (1877) (transcription project)
- “Swedenborg's Writings and Catholic Teaching” (1881) (transcription project)
Works about Clissold
- "Clissold, Rev. Augustus," in Alumni Oxonienses: the Members of the University of Oxford, 1715-1886, by Joseph Foster, London: Parker and Co. (1888–1892) in 4 vols.
- "Clissold, Augustus," in Dictionary of National Biography, 1885–1900, London: Smith, Elder, & Co. (1885–1900) in 63 vols.
Some or all works by this author were published before January 1, 1930, and are in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted. Posthumous works may be copyrighted based on how long they have been published in certain countries and areas.
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